His compositions and playing style are uniquely his and his alone.
Thelonious Monk was a pivotal figure in the history of jazz, using dissonance as an asset rather than a mistake. As for that smart-guy stuff, well, Ryan’s got you covered there in the following graf. And this storied piano player, composer and band leader had me hooked from the first time I heard Brilliant Corners and took a deep dive into his work. But for me, until I decide to go back to school and take music theory classes (not happening!), it’s all about the feel.
If I was educated enough as a jazz listener and not just a pleb who unabashedly loves the genre, I’d go on as long as my editors would let me about Monk and the best albums in his discography. What about something where, yes, the music is fantastic but the cover art is also awesome? Oh shit has Monk ever got you covered. How about a record where he gets kind of out there and practices minimal restraint? No problem. Want something relatively easy to digest and straightforward? He’s got you. Especially atmospheric for the audience must have been the moment in ‘Night and Day’ when the four musicians used their strings and bows to recreate the nostalgic repetitive ‘swish’ of a 78 rpm recording.Like any jazz legend with a pretty lengthy career, Thelonious Monk’s catalogue is absolutely brimming with rock-solid choices for listeners of all kinds.
Thelonious monk round midnight series#
In 2017, Quatuor Ébène even played the programme of ‘Round Midnight (expanded with additional short works by Dutilleux and Salvatore Sciarrino) in a series of concerts in Germany, Austria and Spain where the only light in the hall emanated from the players’ music stands. It offers all kinds of possibilities to a composer.” “Our hearing becomes exceptionally acute, we find ourselves as alert as an animal … especially receptive to new impressions. “Is there any other time when we listen more closely?” he asks. Raphaël Merlin points out that the night, surrounding us with darkness, has a special power to heighten our appreciation of music. The same can be said of the other members (Pierre Colombet and Gabriel Le Magadure, violins Marie Chilemme, viola) - it wasn’t a pure reproduction of ‘‘Round Midnight’ or ‘Footprints’, rather, a highly trained string quartet’s impression of the songs. The hits rolled into one another smoothly, with cellist Raphaël Merlin acting as emcee … A cello is not a string bass, but Mr Merlin capitalized on the nimbleness of his instrument, conjuring a new feeling to some old favorites. As the Pittsburgh Post-Gazette wrote after a 2018 concert which set Thelonious Monk and Miles Davis beside Haydn and Fauré: “… This quartet knows and loves its jazz. Quatuor Ébène’s capacities for crossing genres have already been proven with such albums as Eternal Stories, Fiction and Brazil. It muses on Monk’s jazz standard ‘Round Midnight, dating from around 1940, on Mancini’s ‘Moon River made famous by the 1961 film Breakfast at Tiffany’s, on Porter’s urbane and haunting ‘Night and Day’, originally a hit in 1932, and on ‘Stella by Starlight’ originally composed by Victor Young for the 1944 film The Uninvited. The three works in question, all nocturnally-themed, are: Schönberg’s passionate late-Romantic sextet Verklärte Nacht (Transfigured Night), composed in 1899, for which the quartet is joined by viola-player Antoine Tamestit and cellist Nicolas Altstaedt Dutilleux’s glistening quartet Ainsi la nuit, first heard in 1978 and comprising seven brief movements, and Night bridge, a ‘nocturnal poem for string sextet’ composed by the Ébène’s cellist Raphaël Merlin.
This album offers a creatively conceived programme, bringing together major figures from different streams of 20th music: Arnold Schönberg, Henri Dutilleux and four masters of jazz and popular idioms – Thelonius Monk, Cole Porter, Henry Mancini and Victor Young. The members of Quatuor Ébène went round the world with the complete Beethoven quartets, now they go ‘Round Midnight.